Whether you’re a musician or music enthusiast, we’ll be delving deep into how some of these new technologies are changing our relationship to music, forever.
We’ll be joined by Hazel Savage (CEO and Co-Founder of Musiio), Ryan Edwards (Founder and CEO of Audoo) and Prash “Engine-Earz” Mistry (Grammy-nominated Producer, Mixing & Mastering Engineer) and Spitfire Audio.
Music Creation – We’ll discuss Spitfire Audio’s gamechanging sample libraries and how they have revolutionised music creation for music makers, followed by a discussion on how Dolby Atmos is changing the way we experience music.
Music Selection – We’ll hear about Musiio and how they build artificial intelligence software, which uses sophisticated neural networks and machine learning processes to scan and categorise music.
Music Royalties – We’ll be hearing about how Audoo’s brand new Audio Meter is revolutionising public performance royalties through accurate data collection that has never been seen before.
Join us and the discussion as our thought-leading panelists discuss their imprint in new music-tech, all connected through the Tileyard community.
With 15 years experience in the industry, Hazel is a music-tech lifer, guitarist and CEO/Co-Founder at Musiio. She started her music-tech journey as an early employee at Shazam and spent time understanding the pain points of the industry at Pandora, Universal and HMV before launching Musiio in 2018.
Hazel travels the world speaking at conferences and educating catalogue owners about the value of artificial intelligence integration and digital transformation in the music industry. As a female CEO in the heavily male-dominated industries of music and tech, Hazel offers a breath of fresh air and insight, with interesting and humorous anecdotes, as well as easy-to-follow explanations and digestible use cases of artificial intelligence technology.
Ryan is the founder of Audoo, a technology company, who operate within the music industry that are revolutionising performance royalties through accurate data. They have created an Audio Meter which tracks music played across public performance locations, with levels of accuracy that haven’t been seen before. Using real-time data, Audoo help Performing Right Organisations (PROs) & Collective Management Organisations (CMOs) digitise and streamline their processes.
Ryan has both a Musical and Technology background. Having had a successful career as a musician in the noughties band The Lines, where he was the drummer, scoring a top 10 hit with their track Domino effect. To then be followed by significant roles at institutional tech brand Visa Europe, where he was head of digital, as well as start-up tech specialists Bink where he was Head of Sales. Alongside his role as CEO at Audoo, he currently also sits on the board as Non-Executive Director at an exciting FinTech start-up Findr.
Spitfire Audio was founded by two award-winning composers: Christian Henson and Paul Thomson. Spitfire Audio work with the world’s best composers, producers, engineers and studios to create detailed, sophisticated and realistic recordings of instruments. Their virtual instruments and sample libraries enable music makers to perform and compose within their DAW (Digital Audio Workstation), offering them thousands of sounds for endless inspiration.
Prash “Engine-Earz” Mistry (Grammy-nominated Producer, Mixing & Mastering Engineer)
Prash “Engine-Earz” Mistry is a multiple Grammy-nominated, 2 x Diamond certified mixing & mastering engineer/music producer based at Tileyard London. He has currently just had the first Dolby Atmos studio fitted at Tileyard, and has been a working advocate for the technology.
Although known as an in-house mix & mastering engineer with Jorja Smith & her label, FAMM – with whom he proudly shares the 2018 Mercury / Brit nominations for her gold debut album “Lost & Found” & Platinum single ‘Be Honest’ ft. Burna Boy; Prash is also recognised as Billboard No.1 mixer/mastering engineer for Kali Uchis platinum 1st Latin album ‘Sin Miedo’ which features Global smash ‘Telepatia’.
Amongst his other close collaborators is Liam Howlett, having mastered the Prodigy’s latest UK Number 1 album ‘No Tourists’ and more. Genres are no obstacles for Engine-Earz, working on records with Stormzy, Kid Cudi, Aloe Blacc, The Great Khalid, Skepta, PartyNextDoor, Wretch32, Maisie Peters, Enter Shikari, Kali Uchis, Erick the Architect, St. Vincent, MIA, H.E.R., Rapsody, Gorillaz, RZA, Rico Nasty, ODB, Maverick Sabre, Kojey Radical, Hudmo, FARR, XL, Akala and many more. In 2018 he was nominated for the Grammy for Best immersive audio as a surround producer/mixer for his own artist album ‘Symbol’ (Circus Records). He recently won a Swedish Grammy for his work on Ane Brun’s “After the Great Storm” album. Supporting new talent has always been at the core of Engine-Earz mission in music, having worked with many artists from early in their musical journeys. Current future stars include Enny, Berwyn, Glaive, Dance System, Linden Jay, Harry Edwards, Nayana IZ, Mychelle & Kasien to name a few!